Estructura y uso de elementos sonoros en narrativas de la radio universitaria: programa “Sin Anestesia” in-radio.

Abstract

The paper focuses on the structure and use of sound elements in narratives of university radio: Sin Anestesia In-Radio program. Special emphasis is placed on university radio, the expressive elements of radio and sound language. In addition, it takes into account historical facts such as the beginnings of the radio and the passage of this within the Salesian Polytechnic University, the elements that the radio has such as: the voice, silences, pauses, gestures, music, among others, and how these have been handled in the program "Without Anesthesia" through tables and annexes that will facilitate the understanding for the reader. It is recommended that the different current media such as networks and online radios are important when broadcasting a radio program; in this way, additional research would be carried out to identify other factors to take into account when making a radio program, taking this work as a guide. Multiple authors of books on radio and radio communication were also taken into account. This proposal is defined in the transmedia/crossmedia narrative research line: in which it was possible to perform an in-depth analysis of the cultural constructions produced in cyberspace, it was necessary a process of contrast and foundation based on contemporary communication theories, the research is supported by qualitative characteristics, also the interpretive paradigm was used with a symbolic interactionism approach, framed in the Latin American critical theory.