Interacción simbólica de los músicos de Quito en las calles García Moreno y Sucre :Ensayo fotográfico

Abstract

This photo essay aims to show how, the behavior of each person is modified by listening to the different repertoires of the musicians of Quito who occupy with their art the streets García Moreno and Sucre, from the symbolic interactionism with their maximum representative Herbert Mead, Erving Goffman and other related authors, and thus understand the need to interpret the reality of the social world where these actors modify people's behavior, with the purpose of causing in them a feeling, meaning and meaning to the everyday and at the same time as their musical interpretations can be shared with others. This topic will be addressed, from photography, where it can be shown how the behavior of each person reacts and assumes activities before the participation of musicians and how that exchange of meanings and meanings is opened through symbols and how that link is established between the individual and the world. From there, communication plays a very important role in the formation of people and in the social creation of senses.