Documental sonoro de las representaciones artísticas de los humoristas del parque El Ejido de Quito

Abstract

This documentary is interested in showing the importance that street theater represents in communication. The research shows that these free artistic works, spontaneous and free practical communication practices, mockery and satire become fundamental tools for the realization of the various plays. The theoretical support to carry out this research encompasses concepts about the protocols of street theater, its verbal and nonverbal communication, discourse as an indispensable element within the dramaturgy, which becomes an important means of oral communication. It was necessary to do a qualitative research since it describes and explores the reality through which street humorists go through, using techniques that gather information such as the interview with Carlos Michelena, Cristian Valle, street theater actors Quito and the information from Beker Flores social communicator our opinions expand the investigation. This urban art expresses identity within a city taking as reference the park El Ejido de Quito, considered street theater as an environment where the conjuncture is learned in a playful and entertaining way, emphasizing the importance of this street artistic practice that has had a Long trajectory with fines to expose new ideas orientations in reality. The sound documentary provides experiences on the part of the theatrical actors, opinions and information about street theater, which is a way to provide the recreation of society with an easily understood language.