Sacralidad del cuerpo en la danza contemporánea una reflexión hermenéutica.

Abstract

This photo essay aims to reflect on the body in contemporary dance, from the diatopical hermeneutics proposed mainly by Raymon Panikar and other related authors, to achieve a broader understanding of the subject and thus understand the body as a sacrum which enables experience the transcendent, from a more practical and organic perspective such as dance, an artistic discipline that is also characterized by handling a large load of semiotic messages, which have been achieved from an artistic and more human perspective. This work is addressed to the following readers. Primary reader: University UPS, CCE, Ministry of Culture and Heritage, National Dance Company, Ecuadorian Chamber Ballet. Secondary reader: dance groups, communicators, stage artists. Tertiary reader: students (schools, universities), press, public. This topic will be approached from an analysis of non-verbal interaction, where it is possible to understand how the body in contemporary dance is the manager of human reality and from where the immanent and transcendent human being is lived, it is intended that it is not simple physical exposure of a super body, on the contrary, we seek to understand it in a more organic and simple way, for this we have tried to think from the diatopical hermeneutics and the sacredness that Raymon Panikkar proposes