Revista promocional sobre la construcción poética de Carlos Redroban del Grupo Hip Hop Stratgia.

Abstract

This communicational product on the poetic construction of Carlos Redroban of the Hip Hop Stratgia group, chronologically analyzes the history of Hip Hop and its references worldwide from the 70s to the present, also identifies the contents of critical, rebellious, social thought, and humanists embedded in the lyrics of Supremo in order to know their meaning and reproduce them in a digital magazine. For the understanding of the message exposed in the musical themes, we classify the verses from the construction of a journalistic chronicle in the format of a digital magazine that promotes the poetics of the Stratgia group. It is well known that Hip Hop culture was born and developed as a movement of social, political and revolutionary struggle, which promotes class equality within the social sphere where it manifests and develops. Over the years, Hip Hop culture has been transformed into a product of youth entertainment, without neglecting its adaptation to other genres; like Rock, Pop, Merengue and Salsa, fusions that have helped to keep it current. The problem is not the music, nor what is said in it, the problem lies in the meaning and interpretation of content, and the lack of distribution of information through the existing media. It is well known that Hip Hop culture is born and develops as a movement of social, political and revolutionary struggle that promotes class equality within the social sphere where it manifests itself. But over the years, Hip Hop culture has been transformed into a product of youth entertainment, without neglecting its adaptation to other genres; like Rock, pop, merengue and salsa, fusions that have helped to keep it current.