Representación narrativa de la telerrealidad en la serie “La Casa de los Dibujos”

Abstract

The narratives present in television series are constituted by a unique and original speech to attract the attention of a certain audience. This is the case of the television format known as reality television, which in turn incorporates a great variety of content and a complex narrative language. These programs include the experience of a supposed reality, so its novelty will reside in the own invention of a reality that manages to be appropriated by viewers. For this reason, reality TV has been established as a narrative model and an audiovisual format whose sociocultural impact is reflected in the construction of the modes of behavior stipulated within a society, and thus, the generation of new ways of representing reality has been conceived as a real idea. There are several programs that use this format in their content, one of them is the American series "La Casa de los Dibujos", whose narrative takes certain elements used in the reality show genre and fuses them with the traditional cartoon. Thus, a novel audiovisual genre is obtained and supposedly suitable for all audiences, however, it is necessary to show that it is the opposite. The content presented in this program deals with social conflicts of a political, economic, racial nature and derivations of these phenomena, the repercussions presented as generators of behavior models, are seen as the new social phenomenon that fragments the reality television space and represents it from different visions in the reality of the human being.